Monday, May 31, 2010
Louise Bourgeois
Louise Bourgeois has died, aged 98. She was an intensely powerful artist in every sense of the word, as the documentary The Spider, The Mistress, and The Tangerine reveals.
Monday, May 24, 2010
French state and legal action
The French state is taking legal action against the mayor who closed Zineb Sedira's exhibition because of its offensive qualities.
What? An example for us to follow stateside...
What? An example for us to follow stateside...
Vasnetsov
A step back from the contemporary art I usually post about: Viktor Mikailovich Vasnetsov, 19th century Russian painter, finds a historical place with his mythological scenes. As is typical for Russian art of the period, however, the fantastic masks deep political and social concerns.
The now-disgraced Orlando Figes writes in Natasha's Dance: A Cultural History of Russia that Vasnetsov "turned to Russian legends as a new way to approach the national theme." Works like 1878's Knight at the Crossroads inserted the legacy of a storied history into contemporary cultural discourse, reworking myth into allegorical commentary. The contested history of Russia, kept alive as it was redrawn to suit political expediency, became a living, breathing part of Vasnetsov's art. How, I wonder, does his use of political/mythological history differ from the work of contemporary artists like Matthew Barney?
The now-disgraced Orlando Figes writes in Natasha's Dance: A Cultural History of Russia that Vasnetsov "turned to Russian legends as a new way to approach the national theme." Works like 1878's Knight at the Crossroads inserted the legacy of a storied history into contemporary cultural discourse, reworking myth into allegorical commentary. The contested history of Russia, kept alive as it was redrawn to suit political expediency, became a living, breathing part of Vasnetsov's art. How, I wonder, does his use of political/mythological history differ from the work of contemporary artists like Matthew Barney?
Wednesday, May 19, 2010
Eirik Johnson
Eirik Johnson's Sawdust Mountain series has been getting plenty of press lately, from Aperture to NPR. I've always wondered what Robert Frank or Alec Soth would make of my home turf, and Johnson's interpretation is telling in many ways; although his series intrigues and shows undeniable photographic skill, I find it hard to be moved by the objects and views I see on a daily basis. His camera doesn't quite transform them into something new, or reveal much that I haven't learned from frequent observation.
Still, worth checking out for those who don't live their lives amid fallen timber and dead salmon.
Still, worth checking out for those who don't live their lives amid fallen timber and dead salmon.
Monday, May 17, 2010
Saturday, May 15, 2010
Friday, May 14, 2010
Round up
- Christopher Knight reviews Bart Exposito.
- Remote imaging of the Gulf oil spill produces an intriguing photograph.
- A prominent Thai general is shot during an interview with the NY Times, complete with photograph.
- On teaching art to scientists.
- Helmar Larski.
Monday, May 10, 2010
Todd Hido
Todd Hido's 'Homes at Night' series taps into the same unsettling, Lynchian world as Gregory Crewdson, but with more subtlety.
Sunday, May 9, 2010
Fiona Tan at VAG
I'm looking forward to the Fiona Tan show at Vancouver Art Gallery. Tan is one of the more intelligent video artists working today, considering the issue of self-representation while side-stepping the fashionable cliches that so many artists fall back on. More at Frith Street Gallery.
Saturday, May 8, 2010
Steve Pyke
The New Yorker blog has been on fire lately, with a great post on Alvaro Ybarra Zavala. They also posted about Steve Pyke's photography recently. He crafts sensitive, informed portraits.
Sunday, May 2, 2010
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